 |
| Gallery: Oc - Eo Art (Stand 137) |
 |
 |
 |
| Artist |
 |
Abhilasha Singh |
 |
| Biography |
 |
b. 1975 Lucknow, India
Abhilasha Singh is a self-taught artist who started painting when she was 2 years old.
Using water colour on Indian hand-made paper, she paints highly stylized, colourful and strong images of women, effortlessly combining traditional and contemporary themes. |
 |
| Artwork |
 |
Woman in Hat |
|
|
 |
|
 |
| Gallery: The Open Gallery (Stand 202) |
 |
 |
 |
| Artist |
 |
Adrian Turner |
 |
| Biography |
 |
Adrian is a Photographer living and working on the south coast of England and the north coast of France.
He is passionate about seascapes and works on large
format film.
Art Buyers have said the work promotes a sense of 'inner calm'. |
 |
| Artwork |
 |
Hove Groyne |
|
|
 |
|
 |
| Gallery: Robin Ross Gallery (Stand 118) |
 |
 |
 |
| Artist |
 |
Agent Provoceteur |
 |
| Biography |
 |
Agent Provocateur likes cutting holes in pieces of paper with his trusty rusty scalpel, collecting unwanted chunks of wood and card from skips, and canvases from sales... all in the aid of stencil art. Cynical, bored, angry and lazy, AP feels the need to comment on his distorted and irreverent vision of the world, forcing his opinions on an unsuspecting (and invariably uncaring) public.
|
 |
| Artwork |
 |
Tipping Point on Board |
|
|
 |
|
 |
| Gallery: Art Garden (Stand G10) |
 |
 |
 |
| Artist |
 |
Agnese Stabina |
 |
| Biography |
 |
The Artist Agnese Stabina paints people – the guests that are knocking on our door. The artist asks – why we meet exactly these people in our life? Every person that we meet, teach something to us, but how to understand it, what concrete person, case, relationships are trying to say to us? The Guests or people arise in our life only because they already are in our sense, they are the reflection of our sense.
That’s thy painter represent guests like seeing them through the door’s peep-hole. It is a symbolic representation like trough our mental prism to the world, to the people.
Also roundly and a bit spherical basement of painting has choosed wittingly to strengthen the conception.
Artworks are painted to the roundly, spherical curly base made of glass fibre.
Artist graduated Latvian Art Academy, Painting department, Master degree (2008), she is studied in Southwest Finland Institute for Art and Design ( 2001).
She takes a part in exhibitions and design projects since Year 2000 in Latvia as well as in France, Italy, Germany, Denmark and Belgium.
|
 |
| Artwork |
 |
“Guests I”, 2009
Glass fibre/oil, 75cm dia.
|
|
|
 |
|
 |
| Gallery: Art Garden (Stand G10) |
 |
 |
 |
| Artist |
 |
Agnese Stabina |
 |
| Biography |
 |
The Artist Agnese Stabina paints people – the guests that are knocking on our door. The artist asks – why we meet exactly these people in our life? Every person that we meet, teach something to us, but how to understand it, what concrete person, case, relationships are trying to say to us? The Guests or people arise in our life only because they already are in our sense, they are the reflection of our sense.
That’s thy painter represent guests like seeing them through the door’s peep-hole. It is a symbolic representation like trough our mental prism to the world, to the people.
Also roundly and a bit spherical basement of painting has choosed wittingly to strengthen the conception.
Artworks are painted to the roundly, spherical curly base made of glass fibre.
Artist graduated Latvian Art Academy, Painting department, Master degree (2008), she is studied in Southwest Finland Institute for Art and Design ( 2001).
She takes a part in exhibitions and design projects since Year 2000 in Latvia as well as in France, Italy, Germany, Denmark and Belgium.
|
 |
| Artwork |
 |
“Guests II”, 2009
Glass fibre/oil, 75cm dia.
|
|
|
 |
|
 |
| Gallery: Clase Contemporary (Stand 170) |
 |
 |
 |
| Artist |
 |
Alex Gough |
 |
| Biography |
 |
English
Alex’s Finnish ancestry and his own voyages into the magical Finnish landscape are immediately evident throughout his work. He describes mid winter in Lapland as ‘disorienting, beautiful and frightening, where the landscape melts into a long dark night revealing the harshness and enormity of nature’. Many of his works are indeed imbued with the contrasts of the blue and white; reflecting the magical twilight dancing on the snow.
The already mature handling of this young artist can be traced to his interest and knowledge of the works of JWM Turner and Caspar David Friedrich. The German master of the sublime informs Alex’s work at times with a strong sense of counteracting desolation and hope. Influences of Barnett Newman, Mark Rothko and Yves Klein are also identifiable in Alex’s work, yet a very powerfully individual style emerges, inviting us in to ‘a dreamy place of isolation; the place of one’s memories’.
Education:
2005 - BA (Hons) Painting, Camberwell College of Art London.
Solo Shows:
2006 ‘Sinen Syvyys’, The Arts Gallery, London, UK
|
 |
| Artwork |
 |
Untitled
acrylic, oil and indian ink on canvas
40x65cm |
|
|
 |
|
 |
| Gallery: Art World Gallery (Stand 136) |
 |
 |
 |
| Artist |
 |
Alexandar Millar |
 |
| Biography |
 |
Millar became a professional artist in 1988. It is the last few years that have been the most exciting, sales going through the roof everyone wanting his paintings of solitary figures. He has had a number of sell out exhibitions, winning the Daily Mail’s “NOT THE TERNER PRIZE” which was when he exhibited at the Mall Galleries London. |
 |
| Artwork |
 |
Saddle Sore
oil on canvas
49x59cms |
|
|
 |
|
 |
| Gallery: Art World Gallery (Stand 136) |
 |
 |
 |
| Artist |
 |
Alexandar Millar |
 |
| Biography |
 |
Millar became a professional artist in 1988. It is the last few years that have been the most exciting, sales going through the roof everyone wanting his paintings of solitary figures. He has had a number of sell out exhibitions, winning the Daily Mail’s “NOT THE TERNER PRIZE” which was when he exhibited at the Mall Galleries London. |
 |
| Artwork |
 |
The Observer
oil on canvas
33x43cms |
|
|
 |
|
 |
| Gallery: Art World Gallery (Stand 136) |
 |
 |
 |
| Artist |
 |
Alexandar Millar |
 |
| Biography |
 |
Millar became a professional artist in 1988. It is the last few years that have been the most exciting, sales going through the roof everyone wanting his paintings of solitary figures. He has had a number of sell out exhibitions, winning the Daily Mail’s “NOT THE TERNER PRIZE” which was when he exhibited at the Mall Galleries London. |
 |
| Artwork |
 |
Having A Rest
oil on canvas
89x59cms |
|
|
 |
|
 |
| Gallery: The Smithfield Gallery (Stand 144) |
 |
 |
 |
| Artist |
 |
Alexandr Onishenko |
 |
| Biography |
 |
One of the most successful artists in the Czech Republic came to Czechoslovakia with few possessions and began selling his work alongside artists on the Charles Bridge.
Alexandr Onishenko, Ukrainian by birth, was not there long. The quality of his work shone out and he was offered exhibitions not just in Czechoslovakia but in Germany, France, Spain, the U.K. and the U.S.A.
Onishenko quickly went on to open his own gallery where his new impressionist paintings can be viewed.
He breathes life into even inanimate objects giving them a vibrancy and personality of their own. One can explore his landscapes, see around corners in his forests, fly with his birds, gallop with horses, explore Gothic courtyards or soar with him over the rooftops of Prague. Onishenko's paintings are full of energy and, although impressionist in style, rich in detail. His are not one-dimensional canvases; one can return to them again and again, each time discovering new depths, and hidden secrets. |
 |
| Artwork |
 |
Football |
|
|