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| Gallery: Bleach Box (Stand 128) |
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James Collett |
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| Biography |
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Dr. James Collett has a long-standing interest in the relationship between art and science. In his photographic work, he uses the optical properties of fluids and thin films to create a diverse set of miniature universes. Within this multiverse, he finds and frames particular systems using subtly sculpted light and colour to reveal lilliputian worlds with their own distinctive topography. His work has been supported by the Department for Education and Skills, the Wellcome Trust, the Particle Physics and Astronomy Research Council, the Institute of Physics, the Royal Institution, the Nuffield Foundation and the Science and Technology Facilities Council. |
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Soapbleach 2007 |
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| Gallery: The Smithfield Gallery (Stand 144) |
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| Artist |
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James Foot |
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| Biography |
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Born in 1960, James Foot is a watercolour painter who studied at the Falmouth and Canterbury Art Schools. He has hosted various solo and group shows in London, Spain, Greece and the U.S. and has undertaken commissions for: Shakespeare's Globe Theatre, the Houses of Parliament, St. Pancras Parish Church, the Queen Elizabeth Hospital in Hackney, the Royal London Hospital. St. Bartholomew’s Hospital in Smithfield and The London Chest Hospital in Victoria Park. One of his most significant commissions was a painting of the hand-over ceremony of Hong Kong to China in 1997.
The watercolours that James predominantly makes today are figurative and all about light – how light illuminates, reflects, dissolves and transforms architecture, form, landscape and water. In recent years his subjects have ranged from the very ordinary, almost mundane – a single chair, an urn, a doorway, to grand vistas and cityscapes: Venice, Milan, Rouen and London have all come under his scrutiny. The fact that he came to painting figuratively via a route of experimental work in other media has meant that his watercolours are infused with these experiences. He is much travelled in America, North Africa and Europe, and now spends as much time in Southern Greece, where he has a home, as he does in London. Wherever, his works display an enthusiasm for everything around him and seek to invite the viewer to observe both the actual painting and the environment that inspired it. Whether the play of light on water, the shadows cast over an intensely white wall, the soft dappled sunlight through a spray of bougainvillea, the ancient twisted trunk of a favourite olive tree, a hillside of wild flowers, a pair of rustic chairs facing each other across a table or a market redolent with spice and odour, his watercolour collections convey a freshness that reflects the talent of this artist of light and shadow, colour and subtlety.
James's control of watercolour is admirable and his natural talent, his studies, his obsession with perfection and his need to share what motivates him emotionally, are significant. "My painting does not want to change the world” he says, "it just wants to show you how much beauty there is". |
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Boat |
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| Gallery: The Smithfield Gallery (Stand 144) |
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| Artist |
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James Foot |
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| Biography |
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Born in 1960, James Foot is a watercolour painter who studied at the Falmouth and Canterbury Art Schools. He has hosted various solo and group shows in London, Spain, Greece and the U.S. and has undertaken commissions for: Shakespeare's Globe Theatre, the Houses of Parliament, St. Pancras Parish Church, the Queen Elizabeth Hospital in Hackney, the Royal London Hospital. St. Bartholomew’s Hospital in Smithfield and The London Chest Hospital in Victoria Park. One of his most significant commissions was a painting of the hand-over ceremony of Hong Kong to China in 1997.
The watercolours that James predominantly makes today are figurative and all about light – how light illuminates, reflects, dissolves and transforms architecture, form, landscape and water. In recent years his subjects have ranged from the very ordinary, almost mundane – a single chair, an urn, a doorway, to grand vistas and cityscapes: Venice, Milan, Rouen and London have all come under his scrutiny. The fact that he came to painting figuratively via a route of experimental work in other media has meant that his watercolours are infused with these experiences. He is much travelled in America, North Africa and Europe, and now spends as much time in Southern Greece, where he has a home, as he does in London. Wherever, his works display an enthusiasm for everything around him and seek to invite the viewer to observe both the actual painting and the environment that inspired it. Whether the play of light on water, the shadows cast over an intensely white wall, the soft dappled sunlight through a spray of bougainvillea, the ancient twisted trunk of a favourite olive tree, a hillside of wild flowers, a pair of rustic chairs facing each other across a table or a market redolent with spice and odour, his watercolour collections convey a freshness that reflects the talent of this artist of light and shadow, colour and subtlety.
James's control of watercolour is admirable and his natural talent, his studies, his obsession with perfection and his need to share what motivates him emotionally, are significant. "My painting does not want to change the world” he says, "it just wants to show you how much beauty there is". |
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Curtains |
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| Gallery: The Smithfield Gallery (Stand 144) |
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| Artist |
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James Foot |
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| Biography |
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Born in 1960, James Foot is a watercolour painter who studied at the Falmouth and Canterbury Art Schools. He has hosted various solo and group shows in London, Spain, Greece and the U.S. and has undertaken commissions for: Shakespeare's Globe Theatre, the Houses of Parliament, St. Pancras Parish Church, the Queen Elizabeth Hospital in Hackney, the Royal London Hospital. St. Bartholomew’s Hospital in Smithfield and The London Chest Hospital in Victoria Park. One of his most significant commissions was a painting of the hand-over ceremony of Hong Kong to China in 1997.
The watercolours that James predominantly makes today are figurative and all about light – how light illuminates, reflects, dissolves and transforms architecture, form, landscape and water. In recent years his subjects have ranged from the very ordinary, almost mundane – a single chair, an urn, a doorway, to grand vistas and cityscapes: Venice, Milan, Rouen and London have all come under his scrutiny. The fact that he came to painting figuratively via a route of experimental work in other media has meant that his watercolours are infused with these experiences. He is much travelled in America, North Africa and Europe, and now spends as much time in Southern Greece, where he has a home, as he does in London. Wherever, his works display an enthusiasm for everything around him and seek to invite the viewer to observe both the actual painting and the environment that inspired it. Whether the play of light on water, the shadows cast over an intensely white wall, the soft dappled sunlight through a spray of bougainvillea, the ancient twisted trunk of a favourite olive tree, a hillside of wild flowers, a pair of rustic chairs facing each other across a table or a market redolent with spice and odour, his watercolour collections convey a freshness that reflects the talent of this artist of light and shadow, colour and subtlety.
James's control of watercolour is admirable and his natural talent, his studies, his obsession with perfection and his need to share what motivates him emotionally, are significant. "My painting does not want to change the world” he says, "it just wants to show you how much beauty there is". |
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Kapsela |
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| Gallery: Vernon Mill Artists (Stand 114) |
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Jan Cartain |
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| Biography |
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Jan’s works with a variety of materials and techniques and has produced a mixture of contemporary and traditional works. Landscape form an essential part of her work as she vividly expresses her impressions of a place through bold , atmospheric and increasingly loose and emotive paintings in acrylics,oils and watercolours. |
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Untitled |
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| Gallery: Jo Bennett Original (Stand 178) |
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Jan Gardner |
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| Biography |
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Welsh artist. Exhibited in France, New Zealand, Australia & throughout the UK. |
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'So Long'
Signed mixed media |
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| Gallery: Jan Peters Art (Stand 212) |
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Jan Peters |
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| Biography |
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Jan Peters, is a post graduate in mathematics and business. A self taught artist, her hallmark recognisable style and rarely seen reverse painting makes her a name to watch. |
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Le Le Lola |
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| Gallery: Manchester Craft & Design Centre (Stand 210) |
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Jane Blease Design |
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| Biography |
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Innovative and sustainable interior products which range from accessories and lighting to furniture, her products sit well both in commercial and domestic spaces. |
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Lighting |
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| Gallery: Jasper Scholtes (Stand 218) |
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Jasper Scholtes |
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| Biography |
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Jasper Scholtes, born in 1977 in Leiderdorp The Netherlands. Jasper studied Logistics and had a career in IT and Logistics for about 12 years. At the age of 25 he started to get more interested in design and art and started exploring his artistic side in 2003. Inspired by dutch action painter (and rockstar) Herman Brood, who's art has had a huge influence in the dutch modern art scene, Jasper made his first paintings using different techniques including acrylic paint, spray paint and templates. His interest in modern contemparary art grew very quickly and he started to explore another form of modern art in 2007, Pop Art. After a 3 month break in South-Africa in 2008, he decided to move to the United Kingdom and focus solely on his artistic work.
His latest works are best described as a combination of Pop Art and Urban Art. Jasper uses computerised art, acrylic paint and large canvasses to create his own image on life. He uses his own personal interests in nowadays pop generation which makes his work unique and allthough inspired by famous Pop Art painters as Andy Warhol, Roy Liechtenstein, David Hockney and many others he created his own style in the Pop Art technique and can be easily recognised. |
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Las Vegas Nights! |
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